chapter book series for my four-year-old, chunk 1: Moongobble, Sly the Sleuth, & Catwings

We’re working through those book ideas and enjoying ourselves thoroughly! I’ve decided to report on that reading in a series of quick reviews, so perhaps some of you can benefit from our exploration as well.

Bruce Coville, The Dragon of Doom (2003), The Weeping Werewolf (2004), The Evil Elves (2004), and The Mischief Monster (2007)

  • the basic idea: Boy meets incompetent but kindly magician. Adventures, in the form of one quest per book, ensue.
  • pros: These books are really quite a lot of fun. They’re pretty well-written and work very well read aloud (Noah doesn’t read yet, so that’s what’s happening with all these books right now). They’re funny, and the plots move along with some tension and intrigue but never actually become scary. We’re happy to have found some fantasy books that don’t scare the crap out of our magic-fascinated but sensitive child. Also, I like that people are basically nice in this series.
  • cons: The only female character who appears in multiple books is the protagonist’s mother, who does nothing but cook, clean, and worry. Would it have killed Coville to make, say, the dragon or the frog (or, gasp!, the protagonist or the magician) female, or to think about the mother as a real character? Really? Also, there’s a cheap compulsion-to-reunite-the-nuclear-family plot twist in The Weeping Werewolf. Major eye roll.
  • the verdict: Certainly worth reading.
  • more in the series: The Naughty Nork

Ursula Le Guin, Catwings (1988), Catwings Return (1989), and Wonderful Alexander and the Catwings (1994)

  • the basic idea: Cats. With wings. You know, like, flying cats.
  • pros: I cannot tell you how beautifully written and interesting (from both adult and child perspectives) these books are. I also love the illustrations (by S. D. Schindler). The stories and characters are great. Unlike most children’s books (and movies, etc.), these books’ treatment of nonhuman animals is realistic and matter-of-fact. (And yes, I do realize that cats don’t have wings.) Carnivorous animals in these stories attack and eat other animals, but not because they’re villainous or mean–they’re just carnivorous animals. The winged cats are in a certain amount of danger because they’re weird. Humans come in kind and cruel varieties, and the catwings are rightly suspicious of humans but know how to love the right ones. Oh, and there are female and male cats, and a human boy and girl, who are all equally well-developed characters rather than walking/flying gender stereotypes!
  • cons: These would have upset Noah a year ago–there are genuinely scary parts and some darkness. But they’re perfect little jewels of books, and I don’t have anything bad to say about them. I would read them just for my own pleasure, sans Noah.
  • the verdict: Awesomesauce.
  • more in the series: Jane on Her Own

Donna Jo Napoli, Sly the Sleuth and the Pet Mysteries (2005)

  • the basic idea: Girl sets herself up as a private investigator and solves three separate mysteries per book.
  • pros: The mysteries manage to be simple enough for Noah to understand but reasonably interesting and amusing. Also, they’re utterly non-scary. Although the stories aren’t gorgeous, they’re well-written enough that reading them aloud is painless. Sly is a girl, and that’s not the point of the story–it never feels as though these are ‘stories for girls’ or like we’re supposed to think ‘ooh, weird, a girl detective!’
  • cons: I dunno; I just didn’t love it. Noah listened along but rarely requested this one, and it took us forever to finish it. Maybe we were both a little bored by the language and the plot? The children in these stories are considerably older than Noah but not as old as the grown-ups he knows, which probably didn’t help its case with us. I didn’t find the characters particularly compelling.
  • the verdict: Okay.
  • more in the series: Sly the Sleuth and the Sports Mysteries, Sly the Sleuth and the Food Mysteries, Sly the Sleuth and the Code Mysteries

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5 Comments

  1. Posted 14 January 2011 at 2:01 PM | Permalink

    eep! how could I have forgotten about Catwings! Awesome, now I have something to go get for when we finish the Mrs Piggle-Wiggles (and we nearly have). Thanks. Also, I love the word “awesomesauce”. I will go now and use it in a sentence.

  2. Posted 14 January 2011 at 5:52 PM | Permalink

    I love Catwings but then I love anything by LeGuin. Have you tried “My Father’s Dragon” by Ruth Stiles Gannett? It is also a trilogy. I loved them and my son loved them.

    • Molly
      Posted 14 January 2011 at 9:19 PM | Permalink

      We listened to My Father’s Dragon last year, but in odd chunks and without rapt attention–we should try actually reading it! Thanks.

  3. Posted 15 January 2011 at 9:39 AM | Permalink

    Thanks for the kind words about the Moongobble books. I had a blast writing them.

    As to female characters, it wouldn’t have “hurt” me to do more, but that’s not how this particular series developed.

    On the other hand, I’ve published nearly 100 books, and I frequently get letters from parents thanking me for the strong female characters. The lead character in my most popular series, The Unicorn Chronicles, is Cara Diana Hunter. Four of my books – the Nina Tanleven ghost series and MY TEACHER IS AN ALIEN are told first person female.

    BC

    • Molly
      Posted 15 January 2011 at 10:38 AM | Permalink

      Hi, Bruce–thanks for stopping by! I’m not commenting on your oeuvre, of course, and it’s nice that you’re aware of gender in some way. And these books are great fun. They make for good family-waking-up stories.

      Still, my partner and I are uncomfortable with some of the underlying conservativism in this particular series’ depiction of mothers and fathers and families and the world of fantasy/adventure. Children encounter your works text by text–so it’s certainly not an issue of “Is Bruce Coville a sexist author?” (let alone “Is Bruce Coville a sexist person?”) but rather of “How comfortable is my family with the values assumed by such-and-such a text?” (Also, I’m guessing you’re unfamiliar with this site and my work, so it might be worth mentioning that I’m reading children’s literature out of a sort of unusual place, at the intersection between reading-as-a-parent and reading-as-a-professional-literary-scholar. And my feminism is maybe not what people think of off the bat when they hear “feminism”–it’s radical rather than liberal, for instance.)

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