I am pretty clearly a part of this anthology’s target audience. I’m a currently-pregnant mother, pregnancy/birth/parenting blogger and scholar, and such an enthusiastic reader that I have a PhD in English literature (as does the volume’s editor). But, I mean, come on: the cover features muted-pastel flowers and a ripe piece of fruit, along with a reference to “the miracle of life.” While none of that is the poets’ or the editor’s fault, it lines up a little too well with what’s inside for my taste.
Most of these poems felt obvious and/or schmaltzy and/or somehow ‘untrue’ to me. I did find about 20 gems amongst the nearly 200 poems, and some of those were worth wading through the others.
A structural complaint: the book’s final section includes poems about both miscarriage/stillbirth and abortion. For people who have dealt with or are dealing with the loss of a wanted pregnancy, this organization seems unhelpful at best. It also conflates the emotional experiences of miscarriage and abortion as both inherently tragic ‘losses,’ a structural conflation further underscored by the particular selection of poems that touch on abortion (which strike me as surprisingly consistently morose–I don’t know what was available, and I guess people probably don’t write a lot of poetry about their perfectly fine abortion experiences, but there are definitely some odd patterns in the poems that show up here).
Here are the poems that particularly stood out as insightful, illuminating, and/or beautiful to me. (I’m following the organization of the book’s sections, which may also give you a better idea of its broader contents.)
“Dreams and Fears of Pregnancy”
- “Late,” Deborah Harding
- “The Unknown Child,” Elizabeth Jennings [scroll down a bit after clicking on that link to get to this poem]
“Pregnancy”
- “Pregnant Poets Swim Lake Tarleton, New Hampshire,” Barbara Ras
- “Thirty-Six Weeks,” Emily Grosholz
- “Now That I Am Forever with Child,” Audre Lord
- “The Slaughter of the Innocents,” Judith Hemschemeyer [scroll down a bit after clicking on that link to get to this poem]
- “Awaiting the Birth,” Lionel Basney
- “The Petals of the Tulips,” Judith Hemschemeyer
“Birthing”
- “Breech,” Michael Dennis Browne
- “The Moment the Two Worlds Meet,” Sharon Olds
- “The Cambridge Afternoon Was Gray,” Alicia Suskin Ostriker
- “Morning Song,” Sylvia Plath
- “Unknown Girl in the Maternity Ward,” Anne Sexton
“Male Participation” [side note: I don't get why these poems aren't also in the "Birthing" section]
- “Birth,” Jeremy Hooker
- “All Night It Bullied You,” C.K. Stead
“The Sacred Condition”
- “My Baby Has No Name Yet,” Kim Nam-Jo
“Miscarriage and Abortion” [these poems are both about pregnancy loss, not abortion]
- “A Thing Like a Baby,” Ellen Wittlinger
- “The Lost Child,” Paul Petrie [to jump way down to this one, use 'find' to search for the poem's title]










Easter eggs (fun with food-based dyes!), year 2
Last year, the eggs were a little overcooked. This year, we adjusted to avoid that–but now some are good and some are way undercooked. I guess next time I’ll be sure to bring everything back to a true boil with the eggs in the dyes, and then simmer them for about 2 minutes before covering/cooling/etc.?
The beet-dyed eggs turned out pink all the way through their whites. This delights Noah but may weird you out, so … heads-up.
Coloring agents we’d still like to try include:
We have also done:
Links of interest: